Stacy Keach puts in a powerful performance in Luther, a 1974 film about the religious reformer produced as part of the so far excellent Masterpiece Theatre series of stage adaptations. The film follows the theologian's career from ordination and onto Wittenberg and his cataclysmic showdown with the Vatican sporting a powerful script which manages to balance the character of the man with his unflinching scorching idealism. Keach is ably supported throughout but dominates this film with a nuanced, quite remarkable turn. Heavy going but brilliant.
Keach's stunning portrayal of a damaged Viet Vet focuses the kaleidoscopic threads of 1970 counter-culture classic End of the Road. Adapted for the screen by Terry Southern (famed screenwriter rake) the film charts the recovery of a once catatonic patient and his reintroduction to society under the manic but paternal tutelage of his psychiatrist, played with much brio, by James Earl Jones. Shot with dollops of 60's psychedelic accoutrements that are probably an acquired taste this is a tricksy, occasionally amusing film that shines a light into the damaged, delirious mindset of late Sixties Amurica that has plenty of substance to back up it’s style.