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Lifeboat is one of those early Hitch films that I've neglected for his later films. Bit of a mistake as this tight little thriller written by John Steinbeck is superbly acted and a masterclass in tension. In case you haven't seen it already the plot follows the fortunes of a gaggle of survivors who help a Nazi onto their boat.
I was too young to watch Blake's 7 when it first aired but I did have a cool model Liberator but it met a melty end in the fireplace. Anyways I've finally finished watching the entire run of 52 episodes and it's been surprisingly good stuff, a bleak, adult themed, Star Trek-ish space opera that romps through scifi tropes with abandon , cheap fx & very little fashion sense.
Terry Nation's setup is pretty straight forward: Blake leads a team of criminals in a revolt against a evil empire after finding a deserted alien spaceship but it's the moral ambiguity and flawed characters that adds the depth to proceedings. With a competent cast and strong scripts it rises above it's meagre roots and is well worth your time. It's a shame Sky have decided not to give it a reboot but given the mess they made of The Prisoner maybe it's for the best. Can't find any online episodes to link to but here's the opening credits.
Saturn's aurora revealed through infrared pics, via APOD.
Couple of Saturn's moons, Dione & Rhea, in an illusionary space smash - thanks io9
Insanely detailed mosaic image of Jupiter's Great Red Spot, bigger version here. Courtesy of Planetary.org.

The Last Exorcism is a mock-doc horror film about a fraudulent preacher who takes a film crew to a hillbilly demon cleansing. It's pretty average fare; the acting is decent enough but it's not scary in the slightest and the few wisps of atmosphere it creates are squandered with a really clumsy finale.
The Grindhouse double bill that came out a few years ago was hit & miss so I wasn't sure what to expect from Machete, a film first featured as one of the trailers between the original double. Rodriguez has ditched the pretentious print aging and missing scenes that blighted PT & DP and has concentrated on crafting a gleefully violent, retro action thriller that's highly enjoyable. Trejo is suitably wooden but is blessed with plenty of screen presence and is helped along by Alba, Fahey, De Niro & Seagal.
Martin Scorsese muscles his way onto the small screen with Boardwalk Empire, a Prohibition era drama about Atlantic city and it's morally challenged inhabitants. The first episode was pretty stunning introducing a complex web of characters & plot with ease all pinned down by a strong cast including the always excellent Steve Buscemi. Hopefully it's inevitable success will encourage other feature directors onto the tube.
At last! The Venture Bros return with the 2nd half of the 4th Season of the highly amusing cartoon spoof. If you haven't seen it before I'd start at the beginning.
The Lathe of Heaven, adapted from Le Guin's novel, is an intelligent SF film that succeeds despite it's tv-movie budget. Set on a decaying, war ravaged, near-future Earth the film follows George Orr who realises that some of his dreams have been altering reality but who unfortunately seeks help from an unscrupulous psychiatrist whose sole concern is harnessing this power. Though it suffers from ropey FX it's a nicely paced film with some big ideas & considerably more enjoyable film than the 2002 remake. Whole film below.
Andre Williams, writer/performer/producer of crazy R&B grooves - Shake a Tail Feather, Chicken Thighs and Cadillac Jack to name but a few - is the subject of the excellent if depressing documentary Agile, Mobile, Hostile.

The Madwoman of Challiot is an unusual ensemble comedy starring Ustinov, Brynner, Chamberlain, Pleasance & Katherine Hepburn as the rather odd, eponymous heroine. A surprisingly biting satire, Hepburn plays a romantic minded woman who becomes disgusted by our contemporary world when she discovers there's plans to exploit oil deposits found in her own Parisian neighbourhood. It's soaked in sixties thinking but the razor sharp script pulls it above a trivial protest film into a much more reasoned, intelligent little film. Directed by Bryan Forbes
Modesty Blaise, starring Stamp, Bogarde & Monica Vitti, is a glorious 60's mess. If you enjoy silly retro comedies like Our Man Flynt then I wholeheartedly recommend this film as it's a real gem otherwise I wouldn't bother. The plot is incoherent nonsense and the action is pretty lame but Vitti's charms dispell any flaws and one thing for sure though it's waay better than the version Tarantino produced.
To finish there's What a Way to Go! a musical-ish, 60's satire pointed at our relationship with a then burgeoning capitalist culture. Shirley Maclaine stars as a country girl who seeks a simple life but unwittingly marries into big money over and over again. Maclaine's suitor's include Mitchum, Newman, Dean Martin & Gene Kelly. It's a bit of 60's fluff that should have been funnier.
Greek Zombie splatter fest Evil is a pretty decent zombie flick given it's obviously tiny budget. 3 dudes investigate a mysterious cave and unwittingly release a people chomping plague so a band of survivors end up traipsing the city looking for a safe haven. It's a little crude and the acting is so-so but once it gets going the action is amusingly violent, reminiscent of Bad Taste/Braindead with head popping, gouging etc. The prequel was at the EIFF this year apparently so I'll check that out when it becomes, er, available.
Horror Express is a surprisingly entertaining Cushing & Lee romp from '72. Sure it's hardly original, mashing Murder on the Orient with The Thing from Another World but it somehow works. Lee uncovers a frozen corpse in Manchuria and is shipping it home to Blighty via the Transsiberian railway and obviously corpsey has his own agenda and the killing starts. A nice schlocky b-movie with bonus Telly Savalas ham-aganza.